Amy Von Senden, 56, posted a sorrowful Reddit request recently about her dying mom.
She shared that her mother, Sharon Von Senden, the mosaic artist at the City Museum in St. Louis, was receiving hospice care. No one had known that Sharon, 83, had been diagnosed with end-stage kidney failure. She didn’t want dialysis. The doctors said she might survive a few months.
For three weeks, Amy had camped out on the floor in Sharon’s two-bedroom frame house to care for her. A nurse showed up for 15 minutes a day to give Sharon pain medication, but Amy took on the rest of her mother's constant daily care -- from bathing to feeding.
She felt exhausted and overwhelmed and alone.
“I was wondering if people who appreciated her work could send her cards that I could read to her,” Amy wrote on Reddit. “To know she’s not alone.”
Few people knew Sharon’s name. But her artwork is instantly recognizable to the millions of visitors who have walked into the City Museum, an immersive art space adorned with Sharon’s fantastical tile and mirror mosaic work: sea creatures at the entrance and first floor, and reptiles climbing up the columns on the mezzanine.
A friend shared Amy’s post on Facebook, and it sparked an avalanche of memories and tributes.
“That mosaic work has always been what made the place magical, to me. From the first step it’s like a portal into a land of whimsy,” Chase Sartell wrote.
Sharon’s journey to creating those murals was just as unpredictable as her art. She was born in Oklahoma City. From first to 12th grade, she attended 22 schools in various states.
“There are some things I don’t know about her,” Amy said. But she knew her mom’s upbringing was rough. Sharon converted to Catholicism and tried to join a Benedictine monastery. It didn’t work out. She served in the U.S. Army for a couple of years, where she met her husband, Michael. They married on Thanksgiving in 1967.
Her husband served two tours in Vietnam. He died in 1973 after being struck by a train while on duty in Texas. Sharon moved to St. Louis more than 40 years ago because she wanted to join a church there.
She and Amy scraped by on survivor benefits from the Veterans Administration. When Amy turned 19, she got a job at Venice Cafe. Sharon took on a cleaning job at the cafe to make extra money. Every night as Sharon mopped the floors, she noticed the unfinished stained glass mosaic panels on the side of the staircase.
“I can’t stand to look at this anymore,” she finally said to the owner. “Do you have any glass?”
She decided to figure out how to finish it. She bought a tool to score the back of the glass so she could snap it. (“We don’t call it 'broken,' because that’s seven years of bad luck,” Amy says.) Sharon put some mastic on the back of the pieces and placed them on the wall.
Something broken making something new.
“It’s almost like doing a puzzle,” Amy said. Her mom’s creativity was striking. It caught the eye of Bob and Gail Cassilly, who were preparing to open the City Museum in 1997. They were dining at the cafe and asked Sharon if she would like to decorate five concrete columns in their new space.
She came on board and asked Amy to join her.
Together, they created designs that covered tens of thousands of square feet. Amy tried to get her mom to wear safety goggles and gloves, but she refused.
“I have to be able to touch it,” she said. She needed to feel the glass, the tile, the mirrors, even if a wrong move could slice her hands.
Amy saw how the lye from the grout damaged her mother’s hands. Spending endless hours on the concrete floors meant her body hurt all the time. But she would put her headphones on, listen to Joan Baez sing folk songs, and tune out the thousands of children running around the museum while she worked.
Once, as she was trying to apply mirror work inside the aquarium, she lost her balance and fell in. That’s when the museum created a place for her in Art City, where she could create crafts with the young visitors, one of whom might start their own wayward journey to art.
Sharon retired in 2019 after 22 years.
She never made much money, Amy said, always undercharging for her work. The 1909 house Sharon lived in for more than four decades has siding falling off one side and the bedroom floor is patched Masonite.
It didn’t bother her.
“She was a martyr of mosaics and giving,” Amy said.
In those last weeks, when her mom had moments of clarity, Amy read some of the messages from her fans. Four days after Amy had posted, Sharon said goodbye.
Her daughter, who had crouched next to her mom on the museum floor at the very beginning, was sitting right by her side at the very end.