Nearly a hundred dancing guests spilled out of a white tent and into the streets of a quiet Midwestern subdivision on a Wednesday night. I wondered how long before someone called the cops.
Sippie, the bride, dripping in gold and wearing a hot pink lehenga, hopped in the back of a pickup. One of her relatives, dancing with a large, lighted pot on her head, led a parade of guests waving glow sticks and their bouncing arms over their heads.
The bride’s father, Neetu, is a college friend of my husband’s. In fact, my husband remembers dancing at one of Neetu’s wedding celebrations decades ago. Now, we were at our first Sikh Punjabi jaggo, a prewedding celebration with booming bhangra music, ebullient folk dances and an abundance of food and drink.
I’ve attended more than a hundred weddings -- 111, to be exact. Many of them have featured diverse traditions across South Asian cultures. But this was the first time I’d been part of a processional like Sippie’s jaggo.
Jaggo literally means “wake up,” and the event is meant to wake up the neighbors to let them know a wedding is coming up and to spread joy through the community. That’s good and well in India, I thought. But I was a bit nervous about the reception this merry band of revelers -- men in colorful turbans and women with vibrant, phulkari dupattas -- would get in a buttoned-up suburb of St. Louis.
It was 8 p.m. on a school night, after all.
Sippie quickly stepped down from the truck bed, saying she wanted to properly dance. She joined her relatives, who were competing in an informal dance contest between her mother’s and father’s sides. A trend in South Asian weddings involves elaborately choreographed and rehearsed dance performances by the family and friends. My husband and I have been included in a few group dance numbers at other weddings, proving that skill and talent aren’t prerequisites to participate.
But this dance-off was different. This was an exuberant, unrehearsed jubilee -- a mix of immigrants, their children and grandchildren, unapologetically taking up space in America in a way that has lately felt less welcome.
I met one of the many cousins who had traveled from out of town to attend the wedding. She explained that the host family gives advance notice to their neighbors about this boisterous tradition. As we walked, a car drove up behind the gathering. One of the guests walked beside the vehicle, parting the crowd to create a path for the driver to cross. The partygoers cheered the driver through.
A few residents came out on their driveways to wave and clap along with the wedding guests. On the march back to the house, I noticed another driver sitting patiently in his car for the procession to pass. Neetu and his wife were talking and laughing with their neighbor and urging him to come to their house and join them for dinner and drinks.
Watching that moment unfold felt restorative. When our political leaders are fomenting division and fear of difference, neighbors across this country still appreciate one another’s joy even when the celebrations look completely different from their own.
Back inside the tent, women of all ages began a series of traditional dances and songs. It unleashed an unbridled joy followed by a surprise dance number. Neetu and his wife, Pinky, performed to a poignant song about a daughter leaving her parents’ home.
It’s the beginning of an emotional farewell, which will continue in ceremonies and parties over several days, until her departure. Sippie’s face beamed watching her parents.
For Punjabis, dancing is a love language.
That night, it was understood by everyone within earshot.